Derek’s Pocket Film School in 30 Easy Steps: A Primer
- The 19th Century (L’arrivée d’un train en gare de La Ciotat)
- The Early Silent Era (Voyage dans la lune)
- The Late Silent Era (Intolerance)
- German Expressionism (The Cabinet of Dr. Caligari)
- The Early Sound Era: Gangsters and Musicals (Scarface or 42nd Street)
- Early American Horror (Dracula)
- The Works of Wartime (Casablanca and Citizen Kane)
- Italian Neorealism (Bicycle Thieves)
- The Mid-Century Epic (anything David Lean did)
- Asian Cinema of the 1950s (Rashomon/Seven Samurai or Pather Panchali)
- Cult Cinema, Part I (Reefer Madness)
- Golden-Era Science Fiction (The Day the Earth Stood Still)
- European New Waves, Part I: France (À bout de souffle)
- European New Waves, Part II: England (Saturday Night and Sunday Morning)
- European New Waves, part III: Eastern Europe (Loves of a Blonde)
- International New Waves, Part I: Africa (La noire de…)
- International New Waves, Part II: Latin America (The Adventures of Juan Quin Quin)
- International New Waves, Part III: Asia (Tokyo Drifter)
- Direct Cinema (Salesman)
- New Hollywood (Bonnie and Clyde)
- Post-Classical Genres, Part I: The Spaghetti Western (The Good, the Bad and the Ugly)
- Post-Classical Genres, Part II: The Martial Arts Film (Enter the Dragon)
- Cult Cinema, Part II (The Rocky Horror Picture Show)
- The Rise of the Blockbuster (Jaws)
- 80s Horror and the Rise of Home Video (The Thing)
- Japanese Animation (Akira)
- Late 20th Century Independent Film (Reservoir Dogs)
- 21st Century Documentary (Dear Zachary)
- Transnational Cinema (Babel)
- Cult Cinema, Part III (The Room)
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